Steve Buscemi
In The Dead Don’t Die, the peaceful town of Centerville finds itself battling a zombie horde as the dead start rising from their graves.
Like Armando Iannucci’s other work, The Death of Stalin is a reliably funny romp—it’s just not going to be seen as one of his best efforts.
Enid and Rebecca’s ironic appreciation of pop culture in Terry Zwigoff’s 2001 cult film hides an insightful look at young adulthood.
With the festival entering its final day, and my screenings complete, I thought my time…
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.
